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Head to the Chaos Divine facebook page to stream the song online, and stay tuned for details of the Africa single release. Visit us online to check out more. I (26/f) have serious anxiety when it comes to dating. her again.,Is it better advertising for dating sites to boast they have a high number of singles or .. Later on he attempted to bring African Americans to Mexico and even served as diplomat of brush something off as a joke,[Event] I am divine; I am the fire; I am your god. The Chaos Mimic (The Jester) - A New Villain't finish,[TOMT] [MOVIE] LF wifes Slavic Women Attend a Speed Dating Event in China to Find their Future.
I tried to imagine how I'd feel about if I was there and what I'd do. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line: He started humming a melody and by the chorus, the words just came to him.
On "Africa" you hear a combination of marimba with GS 1. The kalimba is all done with the GS 1; it's six tracks of GS 1 playing different rhythms. I wrote the song on CSso that plays the main part of the entire tune. We looked at each other and just started playing the basic groove.
Lenny started playing a conga pattern. We played for five minutes on tape, no click, no nothing. And I was singing the bass line for 'Africa' in my mind, so we had a relative tempo. Lenny and I went into the booth and listened back to the five minutes of that same boring pattern. We picked out the best two bars that we thought were grooving, and we marked those two bars on tape.
But a Linn machine doesn't feel like that! Porcaro also acknowledged that he was influenced by the sounds created by fellow Los Angeles session musicians Milt Holland and Emil Richards. I saw the real thing It was the first time I witnessed somebody playing one beat and not straying from it, like a religious experience, where it gets loud, and everyone goes into a trance.
During an appearance on the radio station KROQ-FMSteve Porcaro and Steve Lukather described the song as "dumb" and "an experiment" and some of the lyrics as "goofy" that were just placeholders. Abassi blamed his wife for the way things had turned out, but she told him she would handle it. She sent to earth death and discord to keep the people in their place. Egypt Egyptian Gods and Goddesses Ancient Egyptian creation myths are the ancient Egyptian accounts of the creation of the world.
E have given us most of our information regarding early Egyptian creation myths. These myths also form the earliest religious compilations in the world.
The ancient Egyptians had many creator gods and associated legends. Thus the world or more specifically Egypt was created in diverse ways according to different parts of the country. In all of these myths, the world was said to have emerged from an infinite, lifeless sea when the sun rose for the first time, in a distant period known as zp tpj, "the first occasion".
Different myths attributed the creation to different gods: While these differing cosmogonies competed to some extent, in other ways they were complementary, as different aspects of the Egyptian understanding of creation. The different creation myths had some elements in common. They all held that the world had arisen out of the lifeless waters of chaos, called Nu. They also included a pyramid-shaped mound, called the benben, which was the first thing to emerge from the waters.
These elements were likely inspired by the flooding of the Nile River each year; the receding floodwaters left fertile soil in their wake, and the Egyptians may have equated this with the emergence of life from the primeval chaos.
The imagery of the pyramidal mound derived from the highest mounds of earth emerging as the river receded. The sun was also closely associated with creation, and it was said to have first risen from the mound, as the general sun-god Ra or as the god Khepri, who represented the newly-risen sun. There were many versions of the sun's emergence, and it was said to have emerged directly from the mound or from a lotus flower that grew from the mound, in the form of a heron, falcon, scarab beetle, or human child.
Another common element of Egyptian cosmogonies is the familiar figure of the cosmic egg, a substitute for the primeval waters or the primeval mound. One variant of the cosmic egg version teaches that the sun god, as primeval power, emerged from the primeval mound, which itself stood in the chaos of the primeval sea. Cosmogonies The different creation accounts were each associated with the cult of a particular god in one of the major cities of Egypt: Hermopolis, Heliopolis, Memphis, and Thebes.
To some degree these myths represent competing theologies, but they also represent different aspects of the process of creation. The creation myth promulgated in the city of Hermopolis focused on the nature of the universe before the creation of the world.
The inherent qualities of the primeval waters were represented by a set of eight gods, called the Ogdoad. The god Nu and his female counterpart Naunet represented the inert primeval water itself; Huh and his counterpart Hauhet represented the water's infinite extent; Kuk and Kauket personified the darkness present within it; and Amun and Amaunet represented its hidden and unknowable nature, in contrast to the tangible world of the living.
The primeval waters were themselves part of the creation process, therefore, the deities representing them could be seen as creator gods. According to the myth, the eight gods were originally divided into male and female groups. They were symbolically depicted as aquatic creatures because they dwelt within the water: These two groups eventually converged, resulting in a great upheaval, which produced the pyramidal mound.
From it emerged the sun, which rose into the sky to light the world. Heliopolis In Heliopolis, the creation was attributed to Atum, a deity closely associated with Ra, who was said to have existed in the waters of Nu as an inert potential being.
Atum was a self-engendered god, the source of all the elements and forces in the world, and the Heliopolitan myth described the process by which he "evolved" from a single being into this multiplicity of elements. The process began when Atum appeared on the mound and gave rise the air god Shu and his sister Tefnut, whose existence represented the emergence of an empty space amid the waters.
To explain how Atum did this, the myth uses the metaphor of masturbation, with the hand he used in this act representing the female principle inherent within him. He is also said to have to have "sneezed" and"spat" to produce Shu and Tefnut, a metaphor that arose from puns on their names.
Next, Shu and Tefnut coupled to produce the earth god Geb and the sky goddess Nut, who defined the limits of the world. Geb and Nut in turn gave rise to four children, who represented the forces of life: Osiris, god of fertility and regeneration; Isis, goddess of motherhood; Set, the god of male sexuality; and Nephthys, the female complement of Set.
The myth thus represented the process by which life was made possible. These nine gods were grouped together theologically as the Ennead, but the eight lesser gods, and all other things in the world, were ultimately seen as extensions of Atum.
Memphis The Memphite version of creation centered on Ptah, who was the patron god of craftsmen. As such, he represented the craftsman's ability to envision a finished product, and shape raw materials to create that product. The Memphite theology said that Ptah created the world in a similar way. This, unlike the other Egyptian creations, was not a physical but an intellectual creation by the Word and the Mind of God.
The ideas developed within Ptah's heart regarded by the Egyptians as the seat of human thought were given form when he named them with his tongue.
By speaking these names, Ptah produced the gods and all other things. The Memphite creation myth coexisted with that of Heliopolis, as Ptah's creative thought and speech were believed to have caused the formation of Atum and the Ennead.
Ptah was also associated with Tatjenen, the god who personified the pyramidal mound. Thebes Theban theology claimed that Amun was not merely a member of the Ogdoad, but the hidden force behind all things. One Theban myth likened Amun's act of creation to the call of a goose, which broke the stillness of the primeval waters and caused the Ogdoad and Ennead to form. Amun was separate from the world, his true nature was concealed even from the other gods.
At the same time, however, because he was the ultimate source of creation, all the gods, including the other creators, were in fact merely aspects of Amun. Amun eventually became the supreme god of the Egyptian pantheon because of this belief.
Amun is synonymous with the growth of Thebes as a major religious capital. Thebes was thought of as the location of the emergence of the primeval mound at the beginning of time.
Ekoi The Ekoi are a tribe in southern Nigeria. In the beginning there were two gods, Obassi Osaw and Obassi Nsi. The two gods created everything together. Then Obassi Osaw decided to live in the sky and Obassi Nsi decided to live on the earth. The god in the sky gives light and moisture, but also brings drought and storms.
The god of the earth nurtures, and takes the people back to him when they die. One day long ago Obassi Osaw made a man and a woman, and placed them upon the earth. They knew nothing so Obassi Nsi taught them about planting and hunting to get food. Ethiopia Wak was the creator god who lived in the clouds.
He kept the vault of the heavens at a distance from the earth and covered it with stars. He was a benefactor and did not punish. When the earth was flat Wak asked man to make his own coffin, and when man did this Wak shut him up in it and pushed it into the ground.
For seven years he made fire rain down and the mountains were formed. Then Wak unearthed the coffin and man sprang forth, alive. Man tired of living alone, so Wak took some of his blood, and after four days, the blood became a woman whom the man married. They had 30 children, but the man was ashamed of having so many so he hid 15 of them.
Wak then made those hidden children into animals and demons. Fans The Fans are a Bantu tribe in Africa. In the beginning there was nothing but Nzame. This god is really three: Nzame, Mebere, and Nkwa.
It was the Nzame part of the god that created the universe and the earth, and brought life to it. While the three parts of Nzame were admiring this creation, it was decided to create a ruler for the earth.
So was created the elephant, the leopard, and the monkey, but it was decided that something better had to be created. Between the three of them they made a new creature in their image, and called him Fam powerand told him to rule the earth. Before long, Fam grew arrogant, he mistreated the animals and stopped worshipping Nzame.
Africa (Toto song)
Nzame, angered, brought forth thunder and lightning and destroyed everything that was, except Fam, who had been promised immortality. Nzame, in his three aspects, decided to renew the earth and try again. He applied a new layer of earth to the planet, and a tree grew upon it.
The tree dropped seeds which grew into more trees. Leaves that dropped from them into the water became fish, those that dropped on land became animals. The old parched earth still lies below this new one, and if one digs deep enough it can be found in the form of coal. Nzame made a new man, one who would know death, and called him Sekume. Sekume fashioned a woman, Mbongwe, from a tree. These people were made with both Gnoul body and Nissim soul. Nissim gives life to Gnoul. When Gnoul dies, Nissim lives on.
They produced many children and prospered.
Various versions of the creation story are told. In others, Nana Buluku is the ultimate creator, an androgynous deity who gave birth to the female Mawu and the male Lisa and passed the power over creation to them. Many of the creation accounts tell of Mawu creating everything as she was carried from place to place on the back or in the mouth of Aido Hwedo, the rainbow serpent.
The earth was created first, its curves, slopes and rises shaped by the winding, snaking motions of Aido Hwedo. Mountains formed from Aido Hwedo's excrement wherever they stopped to rest, leaving precious minerals inside.
When Mawu finished, all of the mountains, trees, elephants and other creations left world too heavy, so she asked Aido Hwedo to coil, to encircle the earth and rest underneath to support its weight. Aido Hwedo holds his own tail in his mouth to hold fast to the earth, and rests in the cool of the seas which Mawu made for him to protect him from the heat. Mawu's son, Agbe, now commands them.
Africa (Toto song) | Revolvy
Whenever Aido Hwedo shifts or readjusts his position, he causes an earthquake or tidal wave. Kintu Kintu is a mythological figure who appears in a legend of the Baganda of Uganda as a creation myth. According to this legend, Kintu was the first person on earth, the father of all people. In a distant past, Kintu was the only person on the earth, living alone with his cow.
Ggulu the creator of all things lived up in heaven with his many children, who occasionally came down to earth to play. On one such occasion, Ggulu's daughter Nambi and some of her brothers encountered Kintu and his cow in Buganda.
Nambi instantly took a liking to Kintu and decided to stay and marry him. After her brothers pleaded with her, she returned to heaven with Kintu to ask for her father's permission for the marriage.
Ggulu was not pleased, but blessed the marriage after Nambi had persuaded him. Ggulu advised Kintu and Nambi to leave heaven secretly, so that Walumbe, one of Nambi's brothers would not find out about the marriage until they had left. It was feared that Walumbe which means "that which causes sickness and death" would insist on going with them and bring them misery.
Kintu and Nambi set out for earth the next morning, taking with them the few things that Nambi packed, and her chicken. While they were descending, Nambi remembered that she had forgotten to bring the millet that her chicken would feed on. Kintu tried to persuade her not to return to fetch the millet, but she left him and returned to fetch the millet.
On the way back from fetching the millet, she met Walumbe. She did not tell him where she was going, but filled with curiosity, Walumbe insisted on going with her. Kintu and Nambi were therefore forced to go to earth together with Walumbe. Walumbe's presence on earth caused suffering and conflicts. That, according to the legend, is how sickness and death started. The area where Walumbe is traditionally thought to have fallen to earth and to have hidden from Ggulu is the Tanda Pits, west of Kampala on the south side of the road to the town of Mityana.
Mande The Mande creation myth is the traditional creation myth of the Mande peoples of southern Mali. The story begins when Mangala, the creator god, tries making a balaza seed but it failed. Then he made two eleusine seeds of different kinds, which the people of Keita call "the egg of the world in two twin parts which were to procreate". Then Mangala made three more pairs of seeds, and each pair became the four elements, the four directions, as corners in the framework of the world's creation.
This he folded into a hibiscus seed. The twin pairs of seeds, which are seen as having opposite sex, are referred to as the egg or placenta of the world. This egg held an additional two pairs of twins, one male and one female, who were the archetype of people.