Dreamgirls () - Dreamgirls () - User Reviews - IMDb
Starting out on Broadway 35 years ago, this story of a talented Date ideas Dreamgirls - In pictures Dreamgirls musical theatre tickets in London An unanticipated problem was encountered, check back soon and try. Dreamgirls is a Broadway musical, with music by Henry Krieger and lyrics and book by Tom Things become more complicated when Effie begins dating Curtis, and Jimmy, a married man, begins an affair . Gender and racial issues are represented in Dreamgirls being a black-cast musical with three female lead roles. Michael Bennett's “Dreamgirls” premiered on Broadway in But if there are more health problems and she can't come to New York.
There is some interest in the opening moments, watching Jamie Foxx's Svengali-like manager manipulate his acts to the top, but that takes a back seat in the latter portion of the film, when the story conveniently tries to cast him as a villain, despite his having been right from a business stand-point for a good majority of the film.
Beyonce Knowles is lovely and sings her songs perfectly well, but is stuck with a character who is basically all surface glitz. Anika Noni Rose as the third member of the Dreamgirls trio literally has nothing to do for the entire film. Eddie Murphy acquits himself well as a singer obviously based on James Brown, but the role is not especially meaty and ultimately has little impact.
Foxx would seem ideal casting, but he seems oddly withdrawn and bored.
Bet You Didn’t Know: Secrets Behind The Making Of “Dreamgirls” | MadameNoire
For me, Effie has always been a big problem in both the show and the movie. The film obviously wants you to feel sorry for her and rather ham-handedly takes her side, but I have never been sure that this character deserves that kind of devotion. From the start, Effie conducts herself for the most part like an obnoxious, egotistical, self-centered diva, who is more interested in what everyone else can do for her rather than having much vested interest in the group of which she is a part.
Even though the film tries to soften some of Effie's harder edges to make her more likable, the charges still stand.
The Real Dreamgirls
Her story becomes more manipulative by suggesting she should have our further sympathy because she is an unwed mother struggling to raise her daughter - using the implication that much like the talent card motherhood immediately makes any behavior excusable. Indeed the only big effort the film makes to show Effie's mothering is to tell us about it and then include a scene where she barks at her daughter in the unemployment office, insists that the girl has "no father" and then refuse to look for gainful employment to support them since singing is all she knows.
In the hands of a skillful actress, the gaps could perhaps have been remedied with technique and charisma. Unfortunately, Hudson is not that actress. The real story of the s girl groups, however, changed American music forever.
The movie, based on the Broadway play, tells the story of a small black record label and its star singers whose success crosses over to the pop charts.
Although loosely based on The Supremes, the movie is a work of fiction. Related Content Legends of the Apollo The girl group phenomenon reached its height between andthough many scholars recognize The Chantel's song "Maybe" as the beginning of girl groups' commercial success.
Hundreds of girl groups recorded songs during the sixties, but hardly any of them were seasoned musicians. The groups, usually made up of three to five singers, often formed through glee clubs and high schools, with many having backgrounds in church gospel music.
Their songs employed a lead voice with backup harmonies, and the music was a hybrid of soul, rhythm and blues, pop and 's doo-wop. Popular Music and Identityin the 's and professor of music at Dalhousie University. So they're sitting at home or gathering at a friend's house or they're sitting on the bench during basketball practice at school, and doing the same kind of thing—harmonizing and making up songs.
They announced that they were having a talent show. When they announced that, Gladys asked why don't we go ahead and be a part of the talent show. But because of our performance, one of our teachers…when it came time to audition for Motown—because that was a part of what your winnings would be, to audition for Motown—she recommended that they take the top five.
And we were fourth. The post-war baby boom had produced more teenagers than ever before, and the s brought the explosion of a new teen culture with its own music, clothes, movies and dancing. Teenage life became synonymous with pop culture, and with many of these teenagers having money to spend, the record market flourished.
Teenagers listening to popular music during this time heard songs with voices that sounded like their own. They watched performers on stage who were their age. For American girls to see female groups was something new. In Motown, founder Berry Gordy aimed to make music with widespread pop charts appeal. Certainly whites particularly young people had been listening to black music before girl groups came on the scene, and black artists had made the pop charts before. Yet before girl groups, it was easier for a song to cross over than for artists themselves to do, says Warwick.
And, of course, white artists also re-recorded songs done by black artists. Little Richard's song 'Tutti Frutti' [could] access that white suburban middle-class audience, but Little Richard himself [couldn't] do that. With girl groups, that becomes more possible. But in Motown, Berry Gordy knew he could achieve both the musical and social aspect of crossover with well-groomed, sweet young girls.
Finding the Words Girl groups subject matter articulated a common teenage experience, regardless of race, even as the culture around them was slow to catch up. They sang to mixed audiences about courtship, boys, parties, parents and parents not letting them go to parties to court boys.
But they also sang about love and crushes, mostly from the position of a patiently waiting, yearning girl. This seemingly passive attitude and general lack of depth in song subject matter makes it easy to dismiss girl groups music as trivial and, in contemporary terms, less than radical.
But the songs were sometimes closer to real life than expected. For instance, "Please Mr. Postman" is in some ways a classic girl group song, with a girl waiting for a letter from a boy. But this song inevitably gained meaning from the times in which it was heard.
Motown's Mystery Girl Group. But then again, hindsight is that there was a lot going on when 'Postman' was released.