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Today no one fires pistols, curses or even cries in cinemas anymore, and for one simple reason: Last year, the average attendance at Slovak cinemas was eight viewers per show: I have a fondness for small cinemas and I do believe they can attract spectators again. Perhaps our festival s selection of films will convince audiences that visiting a small cinema can turn out to be a very pleasant experience.

Art Film Fest is a festival that joins the unjoinable cultures separated by time and distance. It gathers people both dark and fair, tall and short, joyful and full of woe. People with hats and without, southerners and northerners, westerners and easterners, the young and the old alike. Intellectuals, as well as those seeking unbridled fun. Art Film Fest is a bridge and a destination for all these people, joined by more and more every year. Art Film Fest draws everyone into a fantastic world of art and amusement.

There s no better way to end the month of June! Have we succeeded yet again? Come and see for yourselves. Welcome to the birthplace of this amazing festival, and make yourselves at home! Last year, our festival s coming of age, was also memorable for us because it marked the opening of our renovated Pax Spa House, the pride of our institution. The new Pax has become the festival s official spa hotel, as it will accommodate most of Art Film Fest s guests and host meetings of artists as well as various other events.

We are glad that one of our favourite spa houses has joined the Hammam Oriental Spa House and the Spa Hall as one of the festival s three main venues. As in previous years, we have organized a number accompanying events that have become part and parcel of the spa experiences of our clients, who keep coming back to benefit from the healing power of our springs water.

We hope that many film devotees opt for wellness as well and indulge in the relaxing treatments offered by our specialists. Our thanks go out to all those who have put significant effort into increasing the festival s artistic quality and prestige, thus allowing our clients to nurture not only their bodies, but also their souls, fulfilling the need for quality cinema. We believe that the unique and inimitable festival atmosphere, enhanced by our typical spa environment will contribute to the overall success of the nineteenth Art Film Fest and leave pleasant cinematic memories in all our visitors minds.

We wish you many pleasant and memorable artistic experiences. The internet and new cinematic media are playing a significant role in all aspects of film production and distribution.

Globalisation and digitalisation are the path to reaching viewers in their own homes. It is a pleasure for us to support direct audience contact by means of this film festival, a unique opportunity to offer discerning viewers films which cannot be seen mainstream cinemas, as well as giving filmmakers themselves the chance to receive immediate feedback on their productions. The assortment is wide; the quality exceptional.

In engineering, quality is measured by the number of defective products per million. This year s festival will screen dozens of films, and there isn t a single defect among them. Friends, we hope that this year s Art Film Fest inspires you with its wealth of valuable cinematic experiences, and we wish you a healthy dose of fun and relaxation as well.

On behalf of Aquapark Poprad, s. It is our honour to participate as a partner in organizing this unique cultural event, thus supporting culture, art, sport and talent.

Our company promotes environmentally friendly thinking, healthy lifestyles, relaxation and luxury affordable by everybody. All these values are embodied in a single drop of pure water. Every single drop counts, just as a single drop of brilliant cinema will leave long-lasting traces in you. Then let us all unite like droplets filmmakers, organizers and festival-goers and be taken away by the powerful stream of film, music, atmosphere, reality and fiction and led towards inspiration.

Quench your thirst for new connections, new filmmakers and new cinematic experiences, and enjoy the nineteenth edition of Art Film Fest. Debutoval filmom Kristove roky Inhe collaborated with Jim Jarmusch and DP Christopher Doyle on The Limits of Control, while in he designed The Runaways, a film directed by visual artist Floria Sigismondi, and worked on various theatre and contemporary circus projects.

In he finished a film in the making since the end of At thirteen, he was given a video camera and began shooting amateur films.

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When he was twenty, he fought in the Lebanon War as a member of a tank crew. In he completed his studies of cinematography, and in he made fifty episodes of the TV Comics Series and his battle against the enemies of the human race. He has also made several music videos and commercialsas well as several documentaries Total EclipseThe Devil from Moscow and The Insufferable Lightness of Being But it took him twenty years to come back home and create his feature debut, Lebanon Currently Senior Programmer for the Palm Springs International Film Festival, Alissa Simon has been a film curator for more than twenty-five years and does programme consulting work through her company Cinequanon.

She also writes about films and film festivals for the trade paper Variety. In he won a third Golden Arena for Witnesses. After working with many Yugoslav and Croatian directors, Zalar moved to Germany in the late s, where he continued to work on a number of television films, series and documentaries, as well as international feature film co- -productions.

From toshe was the vice-rector for international cooperation, research and public relations, and since she has been the vice dean for foreign affairs. Jukka-Pekka Laakso is the festival director since and president of the board of directors at the Tampere Film Festival. He has worked for the festival since the early s on the floor level, and has been involved with selection and programming since Laakso is also the executive director for the Pirkanmaa Film Centre sincea local film centre in Tampere.

The film centre is a non-profit organisation that runs an art-house cinema and works extensively with media education. He has also worked as a freelance film critic for radio and magazines.

From toLaakso was chairman of the National Council for Cinema. This position also afforded him a seat at the National Council for the Arts. Since moving to the UK from Italy inGaia Meucii has been working in the film industry in different capacities including animation production, film festivals and programming.

In and she was the short film programmer of the Edinburgh International Film Festival. She s currently based in Paris, where she is involved in international sales and distribution of the production company Autour de Minuit s short film catalogue, as well as being one of the programmers of the short film festival Silhouette.

As a film curator, she has also worked for organisations such as the Institute of Contemporary Arts in London and more recently the Forum des Images in Paris. The story of a father who is building a house for each of his two daughters. The houses become the outlet for all his dreams and ambitions that went unfulfilled during the communist era. When his older daughter "disappoints" him, he drives her out of the house, focusing all his energy on finishing the one for her younger sister Eva.

The intergenerational conflict is intensified when Eva unexpectedly rebels against her father and his dream. What will be the cost when all their untold secrets come to light? The film was produced in modest conditions without superfluous media attention, with the majority its funding coming from the Czech Republic, despite its creator being Slovak.

The younger son Jean gets thrown out of the house, and he joins a group of hunters to learn how to kill. The following night, his mother s car goes up in flames. Jean feels responsible, and he disappears into the woods The first idea for the film came in a map, a territory: It became apparent to me fairly quickly that everything would be played out in this exact terrain.

The timeframe for the action would be short three days sort of like a Greek tragedy. Then I started placing my players and outlining the characters, shaping them not by their psychological makeup but by their actions. I believe in images and actions; I wanted to make an impressionistic suspense movie, not a social drama.

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Roland Edzard spent his childhood in southern Algeria and later in the Vosges mountains of eastern France. In he shot his short film debut Judas, which he followed with DormeursLa Plaine and Yeux In a never-ending day-to-day battle for survival, he makes his living buying and selling things at a flea market.

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