The Middle-Class Gentleman by Molière - Free Ebook
The Bourgeois Gentleman of the title is a middle-class social climber, assured that by learning all the arts of a true and noble gentleman. Le Bourgeois gentilhomme is a five-act comédie-ballet—a play intermingled with music, dance Date premiered, October 14, (October) The Bourgeois Gentleman or The Middle-Class Aristocrat or The Would-Be Noble) is a. The Project Gutenberg EBook of The Middle Class Gentleman, by Moliere This eBook is eBook or online at afrocolombianidad.info Title: The Middle Class Gentleman (Le Bourgeois Gentilhomme) Author: Moliere Release Date: December
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He dreams of marrying a MarchionessDorimene, and having his daughter Lucille marry a nobleman. Jourdain is taken in and is very pleased to have his daughter marry foreign royalty. He is even more delighted when the "Turkish prince" informs him that, as father of the bride, he too will be officially ennobled at a special ceremony.
The play ends with this ridiculous ceremony, including Sabir standing in for Turkish.
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Performances[ edit ] The original production brought together the finest actors and musicians of the time. Le Bourgeois gentilhomme reflected the then-current trend for les turqueries, all things related to the Ottoman Empire.
The work stemmed from the scandal caused by the Turkish ambassador Suleiman Aga who, upon visiting the court of Louis XIV inaffirmed the superiority of the Ottoman court over that of the Sun King.
The turquerie was replaced by an appended operatic entertainment Ariadne auf Naxoscomposed by Strauss to a libretto by Hofmannsthal, in which Jourdain's eccentric requirements have led to Ariadne being marooned on a desert island where there just happens to be a commedia dell'arte troupe.
The Bourgeois Gentleman
The whole was directed by Max Reinhardt. The combination of play and opera proved problematic. Hofmannsthal created a revised version of the play, reinstating the turquerie and removing the opera. Strauss provided further incidental music including some arrangements of Lully.
Meanwhile, the entertainment was provided with a separate operatic prologue and this is the form in which Ariadne is now usually given. Informed by the musical and theatrical traditions of 17th century France, the production revived the musical and dance interludes originally scored by Jean-Baptiste Lully and the work was presented in its entirety.