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Dubstep - Wikipedia

Jan 1, music by specifying its rhythm, timbre, melody, loudness, or other features. increasingly available in digital form in terms of, for example, album artwork .. contained the question, the question date, the answer count, and the. Poetry is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning. Poetry has a very long history, dating back to prehistorical times with the .. The lamb, for example, is the most natural form of rhythm in the English. Music is an art form and cultural activity whose medium is sound organized in time. In general The creation, performance, significance, and even the definition of music . When music is written down, the pitches and rhythm of the music, such as the .. The "Hurrian Hymn to Nikkal", found on clay tablets that date back to.

This style of bass is typically produced by using a low-frequency oscillator to manipulate certain parameters of a synthesiser such as volumedistortion or filter cutoff. The resulting sound is a timbre that is punctuated by rhythmic variations in volume, filter cutoff, or distortion. This style of bass is a driving factor in some variations of dubstep, particularly at the more club-friendly end of the spectrum. Typically this would comprise an introa main section often incorporating a bass dropa midsectiona second main section similar to the first often with another dropand an outro.

Many early dubstep tracks incorporate one or more "bass drops", a characteristic inherited from drum and bass. Typically, the percussion will pause, often reducing the track to silence, and then resume with more intensity, accompanied by a dominant sub-bass often passing portamento through an entire octave or more, as in the audio example.

However, this or the existence of a bass drop in general is by no means a completely rigid characteristic, rather a trope; a large portion of seminal tunes from producers like Kode9 and Horsepower Productions have more experimental song structures which do not rely on a drop for a dynamic peak — and in some instances do not feature a bass drop at all.

Rewinds or reloads [19] are another technique used by dubstep DJs. If a song seems to be especially popular, the DJ will "spin back" the record by hand without lifting the stylus, and play the track in question again.

Rewinds are also an important live element in many of dubstep's precursors; the technique originates in dub reggae soundsystemsis widely employed by pirate radio stations and is also used at UK garage and jungle nights. Kode9 has collaborated extensively with the Spaceapewho MCs in a dread poet style. He has also released tracks with a dubstep foundation and grime verses over the beats.

The early sounds of proto-dubstep originally came out of productions during — by producers such as Oris Jay, [16] El-B[12] Steve Gurley [12] and Zed Bias. The term's use in a XLR8R cover story featuring Horsepower Productions on the cover contributed to it becoming established as the name of the genre. Producers including D1, Skream and Benga make regular appearances. Another crucial element in the early development of dubstep was the Big Apple Records record shop in Croydon.

South London collective Digital Mystikz Mala and Cokialong with labelmates and collaborators Loefah and MC Sgt Pokes soon came into their own, bringing sound system thinking, dub values, and appreciation of jungle bass weight to the dubstep scene. They also began their night DMZ, held every two months in Brixton[38] a part of London already strongly associated with reggae. DMZ's first anniversary event at the Mass venue, a converted church saw fans attending from places as far away as Swedenthe United States, and Australia, leading to a queue of people at the event.

Techno artists and DJs began assimilating dubstep into their sets and productions. BBC Radio 1 DJ Gilles Peterson named it his record ofand it was also a massive hit in the equally bassline-orientated, but decidedly more four-to-the-floor genre of bassline house[62] whilst Burial's late release Untrue which was nominated for the Nationwide Mercury Music Prize in the UK incorporated extensive use of heavily manipulated, mostly female, 'girl next door' vocal samples.

InBenga, Skream, and other dubstep producers provided the soundtrack to much of the second series of Dubplate Dramawhich aired on Channel 4 with a soundtrack CD later released on Rinse Recordings. A track by Skream also featured in the second series of the teen drama Skinswhich also aired on Channel 4 in early The show was the evolution from her seminal BBC Radio 1 Dubstepwarz Show inand further documented another set of dubstep's producers. Alongside Soulja of Ammunition Promotions and Mary Anne Hobbs, an influx of female producers, writers, photographers and DJs all have broken through in the up-til-then male orientated scene.

With key 12" releases on HyperdubImmigrant and Hotflush Recordings, producers VaccineSubeena and Ikonika have introduced a palette of new sounds and influences to the genre, such as double-time bass drums, 8-bit video game sampleshand percussion and lushly arranged strings. You see the female-to-male ratio constantly going up — it's got the potential to be The influence of dubstep on more commercial or popular genres can be identified as far back aswith artists such as Britney Spears using dubstep sounds; critics observed a dubstep influence in the song "Freakshow", from the album Blackoutwhich Tom Ewing described as "built around the 'wobbler' effect that's a genre standby.

UKF Dubstep has exploded in popularity as the music genre has hit the mainstream. Many modern poets eschew recognizable structures or forms and write in free verse. But poetry remains distinguished from prose by its form; some regard for basic formal structures of poetry will be found in even the best free verse, however much such structures may appear to have been ignored.

Also sometimes used are broader visual presentations of words and calligraphy.

How can you tell the rhythmic pattern of a poem? | Yahoo Answers

These basic units of poetic form are often combined into larger structures, called poetic forms or poetic modes see the following sectionas in the sonnet or haiku. Lines and stanzas[ edit ] Poetry is often separated into lines on a page. These lines may be based on the number of metrical feet or may emphasize a rhyming pattern at the ends of lines.

Lines may serve other functions, particularly where the poem is not written in a formal metrical pattern. Lines can separate, compare or contrast thoughts expressed in different units, or can highlight a change in tone. Lines of poems are often organized into stanzaswhich are denominated by the number of lines included.

Thus a collection of two lines is a couplet or distichthree lines a triplet or tercetfour lines a quatrainand so on. These lines may or may not relate to each other by rhyme or rhythm.

For example, a couplet may be two lines with identical meters which rhyme or two lines held together by a common meter alone. Examples of such interlocking stanzas include, for example, the ghazal and the villanellewhere a refrain or, in the case of the villanelle, refrains is established in the first stanza which then repeats in subsequent stanzas. Related to the use of interlocking stanzas is their use to separate thematic parts of a poem.

For example, the stropheantistrophe and epode of the ode form are often separated into one or more stanzas.

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In addition to two or three alliterations, the odd-numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at the beginning of the word; the even lines contained internal rhyme in set syllables not necessarily at the end of the word. Each half-line had exactly six syllables, and each line ended in a trochee. Visual poetry Even before the advent of printing, the visual appearance of poetry often added meaning or depth.

Acrostic poems conveyed meanings in the initial letters of lines or in letters at other specific places in a poem. Visual elements have become an important part of the poet's toolbox, and many poets have sought to use visual presentation for a wide range of purposes.

Beat and Rhythm Explained